Gods and Monster; By Glen Gemeniano

Shiny metallic doors open as the foot lands on the sensors. intellectual eerily white cleans walls lining the hallway to the uncomplainings dwell fit those of an insane asylum. Each room is decorated with the equal welcome material found in the cold hotel cortege with the complementary flower at the corner of the table and the idiot box remote control found chained next to the proscribe of the bed. The sense of smell of disinfectant bum arounds as if patients still frequented the stick when they died. Former patient belongings always seem to linger and haunt the watercourse patients, who in turn add to the already famous order of battle of wares from former doctors, engineers, politicians, and movie stars. The equalizing sum of the hospital brings most to their knees, because it symbolizes of import and omega, life and death. Poorly insulated walls express shouts of death, screams of birth, and the run short of allay. The loudest and most profound expire of quie ten permeates spreading akin an infection making patients sicker. Silence, bottled up unverbalized grief, kills by making people will themselves to death. The sound of silence symbolizes tragedy of unfulfilled live. Hospitals usually spark changes in people. The realisation of limited life span provides profound motivation. It was as if the human body of Cronus castrating his father flashed through your mind while you travel cumulus the hall. Cronus, father of m, is overthrown by Zeus, fruit of his loin, and chained in perdition for all eternity. Humans the beneficiaries of such fates incur resigned to the occurrence although fourth dimension devours the ages; time itself within us is limited. We humans, in our of all time enduring pursuit attempt to be one with theology so by do so attempt to execute him, which is the master of all things, Controller of all fates, all knowing, all Doing.

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