Jason Zotaley, a 19-year-old pledge, downloaded the dance jams for excess over the net profit. Zotaley estimates he has 1,300 songs on his computer, everything from classics by Van Morrison to the latest by the Beastie Boys. And he has never paid for a single song. I dont know how legal that is, he says with a shrug, but free songs sure are a good investment. His rap, techno and swing titles go directly from a laptop to the houses deejay booth. These digital music files take on replaced compact discs entirely when its time for the fraternity house to get jiggy.
Millions of teens and twenty-somethings like Zotaley have joined the digital revolution, downloading music from the dismiss and skipping that trip to Tower Records, thereby saving the $16.99 they would have washed-out on a CD.
On college campuses that offer students fast T-1 connections to the Internet, up to 75% of students are music pirates.
This is a sour cable for the $12 billion-a-year music industry, which is belatedly taking a long, pestering look at its endangered business model. The industry is losing millions in revenue to the digital pirates, who use a readily available (and free, of course) software program called MP3 (Mpeg1 Layer 3) to receive and send music over the Internet. The pirated tunes have sound quality comparable to that of CDs, and preempt even be channeled through conventional stereo systems. The Internet has made music so vulnerable, says Record Industry connecter of America (RIAA) general counsel Cary Sherman, [that] if it were left to go unchecked,...If you fate to get a full essay, order it on our website: Orderessay
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